Just when Rachel McAdams’ hair looks almost good again, she has to go out and wear this. It’s a mistakenly retro-inspired shift that’s giving me a walloping case of the gags. A cross between a romper, a granny gown, and a beach cover-up, there’s no way that could ever look good.  

Ok, it could be a rather fashionable hospital gown, so maybe Rachel should save it until she has a baby with that fabulous boyfriend of hers. Otherwise she should keep it in the closet, please, and ditch every friend who ever gave her fashion advice. They’re worthless.

Or a wax sculpture, or maybe even Bride of Frankenstein. Whatever she is, I can barely look. I thought Rachel McAdams was kind of sweet looking, but she’s looking overly pale, gaunt, and maybe even a little scared. Perhaps she caught a glimpse in the mirror and realized what a mistake she made. I hate to say it, but between her and Katie at the Armani show, Holmes looked about 10 times better. And I really didn’t want to admit that.
 
Look, I tried to be positive about the pink hair. That updo is doing nothing for her, though, and if I stare at that misplaced bow any longer near her neckline, I’m going to go cross-eyed. Rachel, weren’t you cute before?

When I saw it in December, I thought that it was Rachel McAdams’ one week transitional hair phase, but it seems to be going on a lot longer than that. While it’s almost sort of grown on me, it’s not so much the hair as it is the choice of lipstick (clashing! terrible! scary!) and earrings (doily-like!). I’m as upset about this as you are, believe me, because she was great in The Notebook.